John Taylor Arms
It use to be that I was too embarrassed to admit that I had never before heard of a famous individual and this embarrassment at times hindered my interests since I would be too scared to ask the questions that I needed to ask. That question that would inevitably lead to more questions.
It was only this past July that I learned the name John Taylor Arms and I discovered the name by accident. While touring the National Gallery of Art in Washington D.C. I saw on a sign one of my favorite words, ‘Gothic.’ It is typical that when ever I see that word it is connected to some subject that will interest me. This situation was no different. I walked into a room at the very back and to the left of the basement level of the gallery. It was a place that was being ignored by most of the patrons who where more focus on the impressionist and expressionists art that hung in the main corridor. At the time the quiet atmosphere was great since it gave me the room all to myself. For more on the exhibit, click here.
Upon closer inspection I saw the name John Taylor Arms, and I was happy that I found him, ending my ignorance in private. For those of you who like me had never before heard of this great architect and print maker he is an unique person. Born in Washington D.C. in 1887, he began his academic career by studying law at Princeton, but that did not last and he would transfer to Massachusetts Institute of Technology in Boston. After he graduated in 1912 he went on to become the most renown artist working in etchings and aquatints. Because he had an architects trained eye for detail he was able, with constant devotion to the almost painful details, to create images with such superb detail that they seemed to poses more craft and precision than any one person could create.
Though his work is not entirely tied to gothic architecture, he did specialize in strictly representational etchings of medieval cathedrals and gargoyles. His work has been said to be denser than photographs, and it was because of his fine eye for detail that he was able to make etchings of gothic cathedrals so beautiful.It is, after all, these details of gothic structures that give them their power over the eye. Think about it. Next time you see a gothic style building, look closer at it and you will notice the tiny details that add up to its grand presence in an almost out of this world beauty. In his work and in the actual structures you can see the amount of time, talent, skill and care the was poured into the facades, towers, and the entirety of each project. Through his dedication and focus he was able to successfully transfer that marvel onto copper plates and then to paper.
From reading about Arms I learned that he was drawn to gothic architecture not only for its detailed splendor, but for the fact that it survived through the centuries to become living relics. Such survivors deserve respect for the fact that they endured when most perished in time. It is amazing to think that what people can create can long outlive their creators far into the future to the point were they almost seem alien to the modern world. Throughout Arms life and career as an artist the world of modern art change to more abstract art, progressives and independents. Still he dedicated himself to his craft and did not stray and for that we have his work today. Arms died in 1953 in Fairfield, Connecticut. He worked until the day he died and his creations have survived these fifty-eight years for us to see and tell others about.
For a review of the exhibit, click here.